The Roman Hat Mystery - (6)

Morgan laughed. “Was pretty nice, at that,” he admitted. “But those days are over, I’m afraid, Inspector. You know—I’m not in the criminal end of it any more.”
    “No?” Queen took a pinch of snuff. “I didn’t know that. Anything”—he sneezed—“anything go wrong?” he asked sympathetically.
    Morgan was silent. After a moment he crossed his legs and said, “Quite a bit went wrong. May I smoke?” he asked abruptly. On Queen’s assent he lit a fat cigar and became absorbed in its curling haze.
    Neither man spoke for a long time. Morgan seemed to sense that he was under a rigid inspection, for he crossed and uncrossed his legs repeatedly, avoiding Queen’s eyes. The old man appeared to be ruminating, his head sunk on his breast.
    The silence became electric, embarrassing. There was not a sound in the room, except the ticking of a floor-clock in a corner. From somewhere in the theatre came a sudden burst of conversation. Voices were raised to a high pitch of indignation or protest. Then even this was cut off.
    “Come, now, Inspector....” Morgan coughed. He was enveloped in a thick rolling smoke from his cigar, and his voice was harsh and strained. “What is this—a refined third degree?”
    Queen looked up, startled. “Eh? I beg your pardon, Mr. Morgan. My thoughts went wool-gathering, I guess. Been rubbing it in, have I? Dear me! I must be getting old.” He rose and took a short turn about the room, his hands clasped loosely behind his back. Morgan’s eyes followed him.
    “Mr. Morgan”—the Inspector pounced on him with one of his habitual conversational leaps—“do you know why I’ve asked you to stay and talk to me?”
    “Why—I can’t say I do, Inspector. I suppose, naturally, that it has to do with the accident here to-night. But what connection it can possibly have with me, I’ll confess I don’t know.” Morgan puffed violently at his weed.
    “Perhaps, Mr. Morgan, you will know in a moment,” said Queen, leaning back against the desk. “The man murdered here to-night—it wasn’t any accident, I can assure you of that—was a certain Monte Field.”
    The announcement was placid enough but the effect upon Morgan was astounding. He fairly leaped from his chair, eyes popping, hands trembling, breath hoarse and heavy. His cigar dropped to the floor. Queen regarded him with morose eyes.
    “Monte—Field!” Morgan’s cry was terrible in its intensity. He stared at the Inspector’s face. Then he collapsed in the chair, his whole body sagging.
    “Pick up your cigar, Mr. Morgan,” said Queen. “I shouldn’t like to abuse Mr. Panzer’s hospitality.” The lawyer stooped mechanically and retrieved the cigar.
    “My friend,” thought Queen to himself, “either you are one of the world’s greatest actors or you just got the shock of your life!” He straightened up. “Come now, Mr. Morgan—pull yourself together. Why should the death of Field affect you in this way?”
    “But—but, man! Monte Field.... Oh, my God!” And he threw back his head and laughed—a wild humor that made Queen sit up alertly. The spasm continued, Morgan’s body rocking to and fro in hysteria. The Inspector knew the symptoms. He slapped the lawyer in the face, pulling him to his feet by his coat-collar.
    “Don’t forget yourself, Morgan!” commanded Queen. The rough tone had its effect. Morgan stopped laughing, regarded Queen with a blank expression, and dropped heavily into the chair—still shaken, but himself.
    “I’m—I’m sorry, Inspector,” he muttered, dabbing his face with a handkerchief. “It was—quite a surprise.”
    “Evidently,” said Queen dryly. “You couldn’t have acted more surprised if the earth had opened under your feet. Now, Morgan, what’s this all about?”
    The lawyer continued to wipe the perspiration from his face. He was shaking like a leaf, his jowls red. He gnawed at his lip in indecision.
    “All right, Inspector,” he said at last. “What do you want to know?”
    “That’s better,” said Queen approvingly. “Suppose you tell me when you last saw Monte Field.”
    The lawyer cleared his throat nervously. “Why—why, I haven’t seen him for ages,” he said in a low voice. “I suppose you know that we were partners once—we had a successful legal practice. Then something happened and we broke up. I—I haven’t seen him since.”
    “And that was how long ago?”
    “A little over two years.”
    “Very good.” Queen leaned forward. “I’m anxious to know, too, just why the two of you broke up your partnership.”
    The lawyer looked down at the rug, fingering his cigar. “I—well, I guess you know Field’s reputation as well as I. We didn’t agree on ethics, had a little argument and decided to dissolve.”
    “You parted amicably?”
    “Well—under the circumstances, yes.”
    Queen drummed on the desk. Morgan shifted uneasily. He was evidently still laboring under the effects of his astonishment.
    “What time did you get to the theatre to-night, Morgan?” asked the Inspector.
    Morgan seemed surprised at the question. “Why—about a quarter after eight,” he replied.
    “Let me see your ticket-stub, please,” said Queen.
    The lawyer handed it over after fumbling for it in several pockets. Queen took it, extracted from his own pocket the three stubs he had secreted there, and lowered his hands below the level of the desk. He looked up in a moment, his eyes expressionless as he returned the four bits of pasteboard to his own pocket.
    “So you were sitting in M2, Center, were you? Pretty good seat, Morgan,” he remarked. “Just what made you come to see ‘Gunplay’ to-night, anyway?”
    “Why, it is a rum sort of show, isn’t it, Inspector?” Morgan appeared embarrassed. “I don’t know that I would ever have thought of coming—I’m not a theatre-going man, you know—except that the Roman management was kind enough to send me a complimentary ticket for this evening’s performance.”
    “Is that a fact?” exclaimed Queen ingenuously. “Quite nice of them, I’d say. When did you receive the ticket?”
    “Why, I got the ticket and the letter Saturday morning, Inspector, at my office.”
    “Oh, you got a letter, too, eh? You don’t happen to have it around you, do you?”
    “I’m—pretty—sure I—have,” grunted Morgan, as he began to search his pockets. “Yes! Here it is.”
    He offered the Inspector a small, rectangular sheet of white paper, deckle-edged and of crushed bond stock. Queen handled it gingerly as he held it up to the light. Through the few typewritten lines on it a watermark was distinctly visible. His lips puckered, and he laid the sheet cautiously on the desk-blotter. As Morgan watched, he opened the top drawer of Panzer’s desk and rummaged about until he found a piece of note-paper. It was large, square, and heavily glazed with an ornate theatre-insignia engraved on an upper quarter. Queen put the two pieces of paper side by side, thought a moment, then sighed and picked up the sheet which Morgan had handed him. He read it through slowly.
    The Management of the Roman Theatre cordially invites the attendance of Mr. Benjamin Morgan at the Monday evening, September twenty-fourth performance of Gunplay. As a leading figure of the New York bar, Mr. Morgan’s opinion of the play as a social and legal document is earnestly solicited. This, however, is by no means obligatory; and the Management wishes further to assure Mr. Morgan that the acceptance of its invitation entails no obligation whatsoever.
    (Signed) The Roman Theatre Per: S.
    The “S” was a barely decipherable ink-scrawl.
    Queen looked up, smiling. “Mighty nice of the Theatre, Mr. Morgan. I just wonder now—” Still smiling, he signalled to Johnson, who had been sitting in a corner chair, silent spectator to the interview.
    “Get Mr. Panzer, the manager, for me, Johnson,” said Queen. “And if the publicity man—chap by the name of Bealson, or Pealson, or something—is around, have him step in here, too.”
    He turned to the lawyer after Johnson left.
    “Let me trouble you for your gloves a moment, Mr. Morgan,” he said lightly.
    With a puzzled stare, Morgan dropped them on the desk in front of Queen, who picked them up curiously. They were of white silk—the conventional gloves for evening-wear. The Inspector pretended to be very busy examining them. He turned them inside out, minutely scrutinized a speck on the tip of one finger, and even went so far as to try them on his own hands, with a jesting remark to Morgan. His examination concluded, he gravely handed the gloves back to the lawyer.
    “And—oh, yes, Mr. Morgan—that’s a mighty spruce-looking tophat you’ve got there. May I see it a moment?”
    Still silently, the lawyer placed his hat on the desk. Queen picked it up with a carefree air, whistling in a slightly flat key, “The Sidewalks of New York.” He turned the hat over in his hand. It was a glistening affair of extremely fine quality. The lining was of shimmering white silk, with the name of the maker, “James Chauncey Co.,” stamped in gold. Two initials, “B.M.,” were similarly inlaid on the band.
    Queen grinned as he placed the hat on his own head. It was a close fit. He doffed it almost immediately and returned it to Morgan.
    “Very kind of you to allow me these liberties, Mr. Morgan,” he said as he hastily scribbled a note on a pad which he took from his pocket.
    The door opened to admit Johnson, Panzer and Harry Neilson. Panzer stepped forward hesitantly and Neilson dropped into an armchair.
    “What can we do for you, Inspector?” quavered Panzer, making a valiant attempt to disregard the presence of the grizzled aristocrat slumped in his chair.
    “Mr. Panzer,” said Queen slowly, “how many kinds of stationery are used in the Roman Theatre?”
    The manager’s eyes opened wide. “Just one, Inspector. There’s a sheet of it on the desk in front of you.”
    “Ummmm.” Queen handed Panzer the slip of paper which he had received from Morgan. “I want you to examine that sheet very carefully, Mr. Panzer. To your knowledge, are there any samples of it in the Roman?”
    The manager looked it over with an unfamiliar stare. “No, I don’t think so. In fact, I’m sure of it. What’s this?” he exclaimed, as his eye caught the first few typewritten lines. “Neilson!” he cried, whirling on the publicity man. “What’s this—your latest publicity stunt?” He waved the sheet in Neilson’s face.
    Neilson snatched it from his employer’s hand and read it quickly. “Well, I’ll be switched!” he said softly. “If that doesn’t beat the non-stop exploitation record!” He reread it, an admiring look on his face. Then, with four pairs of eyes trained accusingly on him, he handed it back to Panzer. “I’m sorry I have to deny any share in this brilliant idea,” he drawled. “Why the deuce didn’t I think of it?” And he retreated to his corner, arms folded on his chest.
    The manager turned to Queen in bewilderment. “This is very peculiar, Inspector. To my knowledge the Roman Theatre has never used this stationery, and I can state positively that I never authorized any such publicity stunt. And if Neilson denies a part in it—” He shrugged his shoulders.
    Queen placed the paper carefully in his pocket. “That will be all, gentlemen. Thank you.” He dismissed the two men with a nod.
    He looked appraisingly at the lawyer, whose face was suffused with a fiery color that reached from his neck to the roots of his hair. The Inspector raised his hand and let it drop with a little bang on the desk.
    “What do you think of that, Mr. Morgan?” he asked simply.
    Morgan leaped to his feet. “It’s a damned frame-up!” he shouted, shaking his fist in Queen’s face. “I don’t know any more about it than—than you do, if you’ll pardon a little impertinence! What’s more, if you think you can scare me by this hocus-pocus searching of gloves and hats and—and, by God, you haven’t examined my underwear yet, Inspector!” He stopped for lack of breath, his face purple.
    “But, my dear Morgan,” said the Inspector mildly, “why do you upset yourself so? One would think I’ve been accusing you of Monte Field’s murder. Sit down and cool off, man; I asked you a simple question.”
    Morgan collapsed in his chair. He passed a quivering hand over his forehead and muttered, “Sorry, Inspector. Lost my temper. But of all the rotten deals—” He subsided, mumbling to himself.
    Queen sat staring quizzically at him. Morgan was making a great to-do with his handkerchief and cigar. Johnson coughed deprecatingly, looking up at the ceiling. Again a burst of sound penetrated the walls, only to be throttled in mid-air.
    Queen’s voice cut sharply into the silence. “That’s all, Morgan. You may go.”
    The lawyer lumbered to his feet, opened his mouth as if to speak, clamped his lips together and, clapping his hat on his head, walked out of the room. Johnson innocently lounged forward to help him with the door, on a signal from the Inspector. Both men disappeared.
    Queen, left alone in the room, immediately fell into a fierce preoccupation. He took from his pockets the four stubs, the letter Morgan had given him and the woman’s rhinestone evening bag which he had found in the dead man’s pocket. This last article he opened for the second time that evening and spread its contents on the desk before him. A few calling cards, with the name “Frances Ives-Pope” neatly engraved; two dainty lace handkerchiefs; a vanity case filled with powder, rouge and lipstick; a small change-purse containing twenty dollars in bills and a few coins; and a house-key. Queen fingered these articles thoughtfully for a moment, returned them to the handbag and putting bag, stubs and letter back into his pocket once more, rose and looked slowly about. He crossed the room to the clothes-tree, picked up the single hat, a derby, hanging there and examined its interior. The initials “L.P.” and the head-size, “6¾,” seemed to interest him.
    He replaced the hat and opened the door.
    The four people sitting in the anteroom jumped to their feet with expressions of relief. Queen stood smiling on the threshold, his hands jammed into his coat pockets.
    “Here we are at last,” he said. “Won’t you all please step into the office?”
    He politely stood aside to let them pass—the three women and the young man. They trooped in with a flurry of excitement, the women sitting down as the young man busied himself setting chairs for them. Four pairs of eyes gazed earnestly at the old man by the door. He smiled paternally, took one quick glance into the anteroom, closed the door and marched in a stately way to the desk, where he sat down, feeling for his snuff-box.
    “Well!” he said genially. “I must apologize for having kept you people waiting so long—official business, you know.... Now, let’s see. Hmmm. Yes.... Yes, yes. I must—All right! Now, in the first place, ladies and gentleman, how do we stand?” He turned his mild gaze on the most beautiful of the three women. “I believe, miss, that your name is Frances Ives-Pope, although I haven’t had the pleasure of being introduced. Am I correct?”
    The girl’s eyebrows went up. “That’s quite correct, sir,” she said in a vibrant musical voice. “Although I don’t quite understand how you know my name.”
    She smiled. It was a magnetic smile, full of charm and a certain strong womanliness that was extremely attractive. A full-bodied creature in the bloom of youth, with great brown eyes and a creamy complexion, she radiated a wholesomeness that the Inspector found refreshing.
    He beamed down at her. “Well, Miss Ives-Pope,” he chuckled, “I suppose it is mysterious to a layman. And the fact that I am a policeman no doubt heightens the general effect. But it’s quite simple. You are by no means an unphotographed young lady—I saw your picture in the paper to-day, as a matter of fact, on the society page.”
    The girl laughed, a trifle nervously. “So that’s how it was!” she said. “I was beginning to be frightened. Just what is it, sir, that you want of me?”
    “Business—always business,” said the Inspector ruefully. “Just when I’m getting interested in someone, I’m brought bang-up against my profession.... Before we conduct our inquisition, may I ask who your friends are?”
    An embarrassed coughing arose from the three people on whom Queen bent his eye. Frances said charmingly, “I’m sorry—Inspector, is it? Allow me to introduce Miss Hilda Orange and Miss Eve Ellis, my very dear friends. And this is Mr. Stephen Barry, my fiancé.”
    Queen glanced at them in some surprise. “If I’m not mistaken—aren’t you members of the cast of ‘Gunplay’?”
    There was a unanimous nodding of heads.
    Queen turned to Frances. “I don’t want to seem too officious, Miss Ives-Pope, but I want you to explain something.... Why are you accompanied by your friends?” he asked with a disarming smile. “I know it sounds impertinent, but I distinctly recall ordering my man to summon you—alone....”
    The three thespians rose stiffly. Frances turned from her companions to the Inspector with a pleading look.
    “I—please forgive me, Inspector,” she said swiftly. “I—I’ve never been questioned by the police before. I was nervous and—and I asked my fiancé and these two ladies, who are my most intimate friends, to be present during the interview. I didn’t realize that I was going against your wishes....”
    “I understand,” returned Queen, smiling. “I understand completely. But you see—” He made a gesture of finality.
    Stephen Barry leaned over the girl’s chair. “I’ll stay with you, dear, if you give the word.” He glared at the Inspector belligerently.
    “But, Stephen, dear—” Frances cried helplessly. Queen’s face was adamant. “You—you’d better all go. But please wait for me outside. It won’t take long, will it, Inspector?” she asked, her eyes unhappy.
    Queen shook his head. “Not so very long.” His entire attitude had changed. He seemed to be growing truculent. His audience sensed the metamorphosis in him and in an intangible manner grew antagonistic.
    Hilda Orange, a large buxom woman of forty, with traces of a handsome youth in her face, now brutally shorn of its make-up in the cold light of the room, leaned over Frances and glared at the Inspector.
    “We’ll be waiting outside for you, my dear,” she said grimly. “And if you feel faint, or something, just screech a little and you’ll see what action means.” She flounced out of the room. Eve Ellis patted Frances’ hand. “Don’t worry, Frances,” she said in her soft, clear voice. “We’re with you.” And taking Barry’s arm, she followed Hilda Orange. Barry looked back with a mixture of anger and solicitude, shooting a vitriolic glance at Queen as he slammed the door.
    Queen was instantly on his feet, his manner brisk and impersonal. He gazed fully into Frances’ eyes, his palms pressed against the top surface of the desk. “Now, Miss Frances Ives-Pope,” he said clearly, “this is all the business I have to transact with you....” He dipped into his pocket and produced with something of the stage-magician’s celerity the rhinestone bag. “I want to return your bag.”
    Frances half-rose to her feet, staring from him to the shimmering purse, the color drained from her face. “Why, that’s—that’s my evening bag!” she stammered.
    “Precisely, Miss Ives-Pope,” said Queen. “It was found in the theatre—to-night.”
    “Of course!” The girl dropped back into her seat with a little nervous laugh. “How stupid of me! And I didn’t miss it until just now....”
    “But, Miss Ives-Pope,” the little Inspector continued deliberately, “the finding of your purse is not nearly as important as the place in which it was found.” He paused. “You know that there was a man murdered here this evening?”
    She stared at him open-mouthed, a wild fear gathering in her eyes. “Yes, I heard so,” she breathed.
    “Well, your bag, Miss Ives-Pope,” continued Queen inexorably, “was found in the murdered man’s pocket!”
    Terror gleamed in the girl’s eyes. Then, with a choked scream, she toppled forward in the chair, her face white and strained.
    Queen sprang forward, concern and sympathy instantly apparent on his face. As he reached the limp form, the door burst open and Stephen Barry, coat-tails flying, catapulted into the room. Hilda Orange, Eve Ellis and Johnson, the detective, hurried in behind him.
    “What in hell have you done to her, you damned snooper!” the actor cried, shouldering Queen out of the way. He gathered Frances’ body tenderly in his arms, pushing aside the wisps of black hair tumbled over her eyes, crooning desperately in her ear. She sighed and looked up in bewilderment as she saw the flushed young face close to hers. “Steve, I—fainted,” she murmured, and dropped back in his arms.
    “Get some water, somebody,” the young man growled, chafing her hands. A tumbler was promptly pushed over his shoulder by Johnson. Barry forced a few drops down Frances’ throat and she choked, coming back to consciousness. The two actresses pushed Barry aside and brusquely ordered the men to leave. Queen meekly followed the protesting actor and the detective.
    “You’re a fine cop, you are!” said Barry scathingly, to the Inspector. “What did you do to her—hit her over the head with the policeman’s usual finesse?”
    “Now, now, young man,” said Queen mildly, “no harsh words, please. The young lady simply received a shock.” They stood in a strained silence until the door opened and the actresses appeared supporting Frances between them. Barry flew to her side. “Are you all right now, dear?” he whispered, pressing her hand.
    “Please—Steve—take me—home,” she gasped, leaning heavily on his arm.
    Inspector Queen stood aside to let them pass. There was a mournful look in his eyes as he watched them walk slowly to the main door and join the short line going out.
    CHAPTER VI
    IN WHICH THE DISTRICT ATTORNEY TURNS BIOGRAPHER
    Inspector Richard Queen was a peculiar man. Small and wiry, thatched with grey and wrinkled in fine lines of experience, he might have been a business executive, a night-watchman, or what he chose. Certainly, in the proper raiment, his quiet figure would mold itself to any disguise.
    This ready adaptability was carried out in his manner as well. Few people knew him as he was. To his associates, to his enemies, to the forlorn scraps of humanity whom he turned over to the due processes of the law, he remained ever a source of wonder. He could be theatrical when he chose, or mild, or pompous, or fatherly, or bull-dogging.
    But underneath, as someone has said with an over-emphatic sentimentality, the Inspector had “a heart of gold.” Inside he was harmless, and keen, and not a little hurt by the cruelties of the world. It was true that to the people who officially came under his eye he was never twice the same. He was constantly whirling into some new facet of personality. He found this to be good business; people never understood him, never knew what he was going to do or say, and consequently they were always a little afraid of him.
    Now that he was alone, back in Panzer’s office, the door shut tight, his investigations temporarily halted, the true character of the man shone from his face. At this moment it was an old face—old physically, old and wise spiritually. The incident of the girl he had startled into unconsciousness was uppermost in his mind. The memory of her drawn, horrified face made him wince. Frances Ives-Pope seemed to personify everything a man of years could hope for in his own daughter. To see her shrink under the lash pained him. To see her fiancé turn fiercely in her defense made him blush.
    Abstemious except for his one mild dissipation, the Inspector reached for his snuff-box with a sigh and sniffed freely....
    When there came a peremptory knock on the door, he was the chameleon again—a detective-inspector sitting at a desk and no doubt thinking clever and ponderous thoughts. In truth, he was wishing that Ellery would come back.
    At his hearty “Come in!” the door swung open to admit a thin, bright-eyed man dressed in heavy overclothes, a woolen muffler wound about his neck.
    “Henry!” exclaimed the Inspector, starting to his feet. “What the dickens are you doing here? I thought the doctor had ordered you to stay in bed!”