Deep Waters - (1)

Historians of the social life of the later Roman Empire speak of a certain young man of Ariminum, who would jump into rivers and swim in 'em. When his friends said, 'You fish!' he would answer, 'Oh, pish! Fish can't swim like me, they've no vim in 'em.'
    Just such another was George Barnert Callender.
    On land, in his land clothes, George was a young man who excited little remark. He looked very much like other young men. He was much about the ordinary height. His carriage suggested the possession of an ordinary amount of physical strength. Such was George--on shore. But remove his clothes, drape him in a bathing-suit, and insert him in the water, and instantly, like the gentleman in The Tempest, he 'suffered a sea-change into something rich and strange.' Other men puffed, snorted, and splashed. George passed through the ocean with the silent dignity of a torpedo. Other men swallowed water, here a mouthful, there a pint, anon, maybe, a quart or so, and returned to the shore like foundering derelicts. George's mouth had all the exclusiveness of a fashionable club. His breast-stroke was a thing to see and wonder at. When he did the crawl, strong men gasped. When he swam on his back, you felt that that was the only possible method of progression.
    George came to Marvis Bay at about five o'clock one evening in July. Marvis Bay has a well-established reputation as a summer resort, and, while not perhaps in every respect the paradise which the excitable writer of the local guide-book asserts it to be, on the whole it earns its reputation. Its sands are smooth and firm, sloping almost imperceptibly into the ocean. There is surf for those who like it, and smoother water beyond for those whose ideals in bathing are not confined to jumping up and down on a given jelly-fish. At the northern end of the beach there is a long pier. It was to this that George made his way on his arrival.
    It was pleasant on the pier. Once you had passed the initial zareba of fruit stands, souvenir stands, ice-cream stands, and the lair of the enthusiast whose aim in life it was to sell you picture post-cards, and had won through to the long walk where the seats were, you were practically alone with Nature. At this hour of the day the place was deserted; George had it to himself. He strolled slowly along. The water glittered under the sun-rays, breaking into a flurry of white foam as it reached the beach. A cool breeze blew. The whole scenic arrangements were a great improvement on the stuffy city he had left. Not that George had come to Marvis Bay with the single aim of finding an antidote to metropolitan stuffiness. There was a more important reason. In three days Marvis Bay was to be the scene of the production of Fate's Footballs, a comedy in four acts by G. Barnert Callender. For George, though you would not have suspected it from his exterior, was one of those in whose cerebra the grey matter splashes restlessly about, producing strong curtains and crisp dialogue. The company was due at Marvis Bay on the following evening for the last spasm of rehearsals.
    George's mind, as he paced the pier, was divided between the beauties of Nature and the forthcoming crisis in his affairs in the ratio of one-eighth to the former and seven-eighths to the latter. At the moment when he had left London, thoroughly disgusted with the entire theatrical world in general and the company which was rehearsing Fate's Footballs in particular, rehearsals had just reached that stage of brisk delirium when the author toys with his bottle of poison and the stage-manager becomes icily polite. The Footpills--as Arthur Mifflin, the leading juvenile in the great play, insisted upon calling it, much to George's disapproval--was his first piece. Never before had he been in one of those kitchens where many cooks prepare, and sometimes spoil, the theatrical broth. Consequently the chaos seemed to him unique. Had he been a more experienced dramatist, he would have said to himself, 'Twas ever thus.' As it was, what he said to himself--and others--was more forcible.
    He was trying to dismiss the whole thing from his mind--a feat which had hitherto proved beyond his powers--when Fate, in an unusually kindly mood, enabled him to do so in a flash by presenting to his jaundiced gaze what, on consideration, he decided was the most beautiful girl he had ever seen. 'When a man's afraid,' shrewdly sings the bard, 'a beautiful maid is a cheering sight to see'. In the present instance the sight acted on George like a tonic. He forgot that the lady to whom an injudicious management had assigned the role of heroine in Fate's Footballs invariably--no doubt from the best motives--omitted to give the cynical roue his cue for the big speech in Act III. His mind no longer dwelt on the fact that Arthur Mifflin, an estimable person in private life, and one who had been a friend of his at Cambridge, preferred to deliver the impassioned lines of the great renunciation scene in a manner suggesting a small boy (and a sufferer from nasal catarrh at that) speaking a piece at a Sunday-school treat. The recollection of the hideous depression and gloom which the leading comedian had radiated in great clouds fled from him like some grisly nightmare before the goddess of day. Every cell in his brain was occupied, to the exclusion of all other thoughts, by the girl swimming in the water below.
    She swam well. His practised eye saw that. Her strong, easy strokes carried her swiftly over the swell of the waves. He stared, transfixed. He was a well-brought-up young man, and he knew how ill-bred it was to stare; but this was a special occasion. Ordinary rules of conventional etiquette could not apply to a case like this. He stared. More, he gaped. As the girl passed on into the shadow of the pier he leaned farther over the rail, and his neck extended in joints like a telescope.
    At this point the girl turned to swim on her back. Her eyes met his. Hers were deep and clear; his, bulging. For what seemed an eternity to George, she continued to look at him. Then, turning over again, she shot past under the pier.
    George's neck was now at its full stretch. No power of will or muscle could add another yard to it. Realizing this, he leaned farther over the rail, and farther still. His hat slid from his hand. He grabbed at it, and, over-balancing, fell with a splash into the water.
    Now, in ordinary circumstances, to fall twelve feet into the ocean with all his clothes on would have incommoded George little. He would hardly have noticed it. He would have swum to shore with merely a feeling of amused self-reproach akin to that of the man who absent-mindedly walks into a lamp-post in the street. When, therefore, he came to the surface he prepared without agitation to strike out in his usual bold fashion. At this moment, however, two hands, grasping him beneath the arms, lifted his head still farther from the waves, and a voice in his ear said, 'Keep still; don't struggle. There's no danger.'
    George did not struggle. His brain, working with the cool rapidity of a buzz-saw in an ice-box, had planned a line of action. Few things are more difficult in this world for a young man than the securing of an introduction to the right girl under just the right conditions. When he is looking his best he is presented to her in the midst of a crowd, and is swept away after a rapid hand-shake. When there is no crowd he has toothache, or the sun has just begun to make his nose peel. Thousands of young lives have been saddened in this manner.
    How different was George's case! By this simple accident, he reflected, as, helping the good work along with an occasional surreptitious leg-stroke, he was towed shorewards, there had been formed an acquaintanceship, if nothing more, which could not lightly be broken. A girl who has saved a man from drowning cannot pass him by next day with a formal bow. And what a girl, too! There had been a time, in extreme youth, when his feminine ideal was the sort of girl who has fuzzy, golden hair, and drops things. Indeed in his first year at the University he had said--and written--as much to one of the type, the episode concluding with a strong little drama, in which a wrathful, cheque-signing father had starred, supported by a subdued, misogynistic son. Which things, aided by the march of time, had turned George's tastes towards the healthy, open-air girl, who did things instead of dropping them.
    The pleasantest functions must come to an end sooner or later; and in due season George felt his heels grate on the sand. His preserver loosed her hold. They stood up and faced each other. George began to express his gratitude as best he could--it was not easy to find neat, convincing sentences on the spur of the moment--but she cut him short.
    'Of course, it was nothing. Nothing at all,' she said, brushing the sea-water from her eyes. 'It was just lucky I happened to be there.'
    'It was splendid,' said the infatuated dramatist. 'It was magnificent. It--'
    He saw that she was smiling.
    'You're very wet,' she said.
    George glanced down at his soaked clothes. It had been a nice suit once.
    'Hadn't you better hurry back and change into something dry?'
    Looking round about him, George perceived that sundry of the inquisitive were swooping down, with speculation in their eyes. It was time to depart.
    'Have you far to go?'
    'Not far. I'm staying at the Beach View Hotel.'
    'Why, so am I. I hope we shall meet again.'
    'We shall,' said George confidently.
    'How did you happen to fall in?'
    'I was--er--I was looking at something in the water.'
    'I thought you were,' said the girl, quietly.
    George blushed.
    'I know,' he said, 'it was abominably rude of me to stare like that; but--'
    'You should learn to swim,' interrupted the girl. 'I can't understand why every boy in the country isn't made to learn to swim before he's ten years old. And it isn't a bit difficult, really. I could teach you in a week.'
    The struggle between George and George's conscience was brief. The conscience, weak by nature and flabby from long want of exercise, had no sort of chance from the start.
    'I wish you would,' said George. And with those words he realized that he had definitely committed himself to his hypocritical role. Till that moment explanation would have been difficult, but possible. Now it was impossible.
    'I will,' said the girl. 'I'll start tomorrow if you like.' She waded into the water.
    'We'll talk it over at the hotel,' she said, hastily. 'Here comes a crowd of horrid people. I'm going to swim out again.'
    She hurried into deeper water, while George, turning, made his way through a growing throng of goggling spectators. Of the fifteen who got within speaking distance of him, six told him that he was wet. The other nine asked him if he had fallen.
    *       *       *       *       *
    Her name was Vaughan, and she was visiting Marvis Bay in company with an aunt. So much George ascertained from the management of the hotel. Later, after dinner, meeting both ladies on the esplanade, he gleaned further information--to wit, that her first name was Mary, that her aunt was glad to make his acquaintance, liked Marvis Bay but preferred Trouville, and thought it was getting a little chilly and would go indoors.
    The elimination of the third factor had a restorative effect upon George's conversation, which had begun to languish. In feminine society as a rule he was apt to be constrained, but with Mary Vaughan it was different. Within a couple of minutes he was pouring out his troubles. The cue-withholding leading lady, the stick-like Mifflin, the funereal comedian--up they all came, and she, gently sympathetic, was endeavouring, not without success, to prove to him that things were not so bad as they seemed.
    'It's sure to be all right on the night,' she said.
    How rare is the combination of beauty and intelligence! George thought he had never heard such a clear-headed, well-expressed remark.
    'I suppose it will,' he said, 'but they were very bad when I left. Mifflin, for instance. He seems to think Nature intended him for a Napoleon of Advertising. He has a bee in his bonnet about booming the piece. Sits up at nights, when he ought to be sleeping or studying his part, thinking out new schemes for advertising the show. And the comedian. His speciality is drawing me aside and asking me to write in new scenes for him. I couldn't stand it any longer. I just came away and left them to fight it out among themselves.'
    'I'm sure you have no need to worry. A play with such a good story is certain to succeed.'
    George had previously obliged with a brief description of the plot of The Footpills.
    'Did you like the story?' he said, tenderly.
    'I thought it was fine.'
    'How sympathetic you are!' cooed George, glutinously, edging a little closer. 'Do you know--'
    'Shall we be going back to the hotel?' said the girl.
    *       *       *       *       *
    Those noisome creatures, the hired murderers of Fate's Footpills, descended upon Marvis Bay early next afternoon, and George, meeting them at the station, in reluctant pursuance of a promise given to Arthur Mifflin, felt moodily that, if only they could make their acting one-half as full of colour as their clothes, the play would be one of the most pronounced successes of modern times. In the forefront gleamed, like the white plumes of Navarre, the light flannel suit of Arthur Mifflin, the woodenest juvenile in captivity.
    His woodenness was, however, confined to stage rehearsals. It may be mentioned that, once the run of a piece had begun, he was sufficiently volatile, and in private life he was almost excessively so--a fact which had been noted at an early date by the keen-eyed authorities of his University, the discovery leading to his tearing himself away from Alma Mater by request with some suddenness. He was a long, slender youth, with green eyes, jet-black hair, and a passionate fondness for the sound of his own voice.
    'Well, here we are,' he said, kicking breezily at George's leg with his cane.
    'I saw you,' said George, coldly, side-stepping.
    'The whole team,' continued Mr Mifflin; 'all bright, bonny, and trained to the minute.'
    'What happened after I left?' George asked. 'Has anybody begun to act yet? Or are they waiting till the dress-rehearsal?'
    'The rehearsals,' admitted Mr Mifflin, handsomely, 'weren't perfect; but you wait. It'll be all right on the night.'
    George thought he had never heard such a futile, vapid remark.
    'Besides,' said Mr Mifflin, 'I have an idea which will make the show. Lend me your ear--both ears. You shall have them back. Tell me: what pulls people into a theatre? A good play? Sometimes. But failing that, as in the present case, what? Fine acting by the leading juvenile? We have that, but it is not enough. No, my boy; advertisement is the thing. Look at all these men on the beach. Are they going to roll in of their own free wills to see a play like The Footpills? Not on your life. About the time the curtain rises every man of them will be sitting in his own private corner of the beach--'
    'How many corners do you think the beach has?'
    'Gazing into a girl's eyes, singing, "Shine on, thou harvest moon", and telling her how his boss is practically dependent on his advice. You know.'
    'I don't,' said George, coldly.
    'Unless,' proceeded Mr Mifflin, 'we advertise. And by advertise, I mean advertise in the right way. We have a Press-agent, but for all the good he does he might be back on the old farm, gathering in the hay. Luckily for us, I am among those present. I have brains, I have resource. What's that?'
    'I said nothing.'
    'I thought you did. Well, I have an idea which will drag these people like a magnet. I thought it out coming down in the train.'
    'What is it?'
    'I'll tell you later. There are a few details to be worked upon first. Meanwhile, let us trickle to the sea-front and take a sail in one of those boats. I am at my best in a boat. I rather fancy Nature intended me for a Viking.'
    Matters having been arranged with the financier to whom the boat belonged, they set forth. Mr Mifflin, having remarked, 'Yo-ho!' in a meditative voice, seated himself at the helm, somewhat saddened by his failure to borrow a quid of tobacco from the Ocean Beauty's proprietor. For, as he justly observed, without properties and make-up, where were you? George, being skilled in the ways of boats, was in charge of the sheet. The summer day had lost its oppressive heat. The sun no longer beat down on the face of the waters. A fresh breeze had sprung up. George, manipulating the sheet automatically, fell into a reverie. A moment comes in the life of every man when an inward voice whispers to him, 'This is The One!' In George's case the voice had not whispered; it had shouted. From now onward there could be but one woman in the world for him. From now onwards--The Ocean Beauty gave a sudden plunge. George woke up.
    'What the deuce are you doing with that tiller?' he inquired.
    'My gentle somnambulist,' said Mr Mifflin, aggrieved, 'I was doing nothing with this tiller. We will now form a commission to inquire into what you were doing with that sheet. Were you asleep?'